My friend John pointed out to me that the video for Red Hot Chili Peppers's song "Otherside" takes a lot of things from Caligari. It also has some Escher thigns to it too, it's pretty cool. I think is awesome how they still reference that movie, even in music videos. (Here is a link for the video: http://www.youtube.com/watch?v=MzupPmYvXGI )
Interesting stuff for sure. Modern culture continues to be influenced by the power of this film. In fact, back in the eighties, the British underground band "Bauhaus" based a good portion of it's entire approach to this film, along with similar cultural items. One could recognize the potency of the basic plot and it's clever arrangement, handling, etc. but let's face it: There's a simple reason why this film has endured, and that is, that it's cool! Without over thinking it, it's got a "feel" that's very unique, and that feel is the artistic, German Expressionistic signature layered over the traditional, easily-digested, linear story line.
The thing I loved the most about this film was how precise and deliberate everything was. From set design, cinematography, the score and even the lighting, everything seemed to be so carefully planned. I would be interested to know if there is any surviving concept or storyboard art, or even production notes, just to see the true love for detail everyone in designing this production seemed to have. For a lot of early films, I have noticed the director would generally shoot from only a hand full of locations with little control over the light, exact camera angle, etc. Personally, "The Cabinet of Dr. Caligari" is a true masterpiece of artistic achievement not only because of the detail that was so carefully planned out and executed, but also for the clever and twisted story of a madman and his world.
This movie wowed me.... what else can I say? The set, costumes, basically the whole visual design of the movie was amazingly unreal even though modern day influences have been mentioned. I admit, during the movie I was thinking some of the scenery looked like Nightmare Before Christmas. I liked how each character in this film was cleary identifiable. Sometimes I have trouble with these old films distinguishing the individual people because they are all dressed the same and act the same and sometimes even look the same. In this film however, I had no trouble at all. In particular I liked the zig zags on the girl's dress. It just made her stand out and more memorable to me than other heriones of silent films. Also the plot and theme were clearly more carefully executed and planned out. I thoroughly enjoyed the surprise ending. It wasn't open ended necesarily, but simply flipped upside down. I don't know. For some reason I just felt refreshed. Probably because I didn't see it coming. Had noooo clue! Anyway I'm glad this was one of the films we are studying. Very interesting stuff.
AUG.31-Intro. review/Melies/Edison's "Frankenstein" lecture and discussion. Assigned reading-CHAPTER 1: SEEDS OF TERROR.
SEP.7-Films of Germany: WWI/Weimar Republic. "The Golem", "Haxan: Witchcraft Through the Ages", "The Hands of Orlac", "The Man Who Laughed", "Metropolis", "M", "The Cabinet of Dr. Caligari" and "Nosferatu". Film: "The Cabinet of Dr. Caligari". Assigned reading-CHAPTER 2: THE DARK GERMAN SOUL.
SEP.14-Film/lecture: "Nosferatu". Discussion of readings.
SEP.21-Film/lecture: "Metropolis". Optional topics for paper discussed. Assigned reading-CHAPTER 3: EUROPEAN EVIL.
SEP.28-FIRST TEST: THE GERMAN FILMS.
OCT.5-Begin second section: The Films of Lon Chaney and the Americans. Short clips from "Jekyll & Hyde", discussions and clips on "dark house" mystery films. Discussion on "London After Midnight", the lost Chaney classic, and viewing of "He Who Gets Slapped".
OCT.12-CLASS CANCELLED DUE TO ART HISTORY MUSEUM TRIP.Go on this trip if at all possible!
OCT.19-MID-SEMESTER: The United States-Edgar Allan Poe, WWI, Surrealism, Harry Houdini and the influence of stage magic, the "Jazz Age" and youth culture. Horror meets comedy: Sennett, Keystone, Roach and the melding of humor and horror. Film viewed: "The Phantom of the Opera". Assigned readings: CHAPTER 4: AMERICA THE HIDEOUS.
OCT.26-Film and discussion: "The Hunchback of Notre Dame". Collect tentative research and bibliography and thesis statement for topical paper. Assigned readings: CHAPTER 5: GENIUS OF THE GROTESQUE/CHAPTER 6: THE WEIRDEST SHOW ON EARTH.
NOV.2-Dark House Movies and the comedies of Hal Roach and Max Sennett. Film "The Old Dark House". Hand back thesis.
NOV.9-Test over the American section and the films of Lon Chaney (Chaney, Houdini, stage magic and the carnival/sideshow phenomenon, comedy and it's development, "Dark House" films, "The Phantom of the Opera", "He Who Gets Slapped", "The Hunchback of Notre Dame" and the "Old Dark House").
NOV.16-Lecture, discussion and "Dracula". Assigned readings: CHAPTER 7: THE SILENT ROAR.
NOV.23-THANKSGIVING HOLIDAY-NO CLASS.
NOV.30-Lecture, discussion and "Frankenstein". Assigned readings; CHAPTER 8: OLD DARK HOUSES.
DEC.7-RESEARCH PAPER DUE. Lecture on the "Shock Theatre" package and monster movie transition to television. Class review of the entire material in preparation for final exam. Film clips may be reviewed.
My friend John pointed out to me that the video for Red Hot Chili Peppers's song "Otherside" takes a lot of things from Caligari. It also has some Escher thigns to it too, it's pretty cool. I think is awesome how they still reference that movie, even in music videos. (Here is a link for the video: http://www.youtube.com/watch?v=MzupPmYvXGI )
ReplyDeleteInteresting stuff for sure. Modern culture continues to be influenced by the power of this film. In fact, back in the eighties, the British underground band "Bauhaus" based a good portion of it's entire approach to this film, along with similar cultural items. One could recognize the potency of the basic plot and it's clever arrangement, handling, etc. but let's face it: There's a simple reason why this film has endured, and that is, that it's cool! Without over thinking it, it's got a "feel" that's very unique, and that feel is the artistic, German Expressionistic signature layered over the traditional, easily-digested, linear story line.
ReplyDeleteThe thing I loved the most about this film was how precise and deliberate everything was. From set design, cinematography, the score and even the lighting, everything seemed to be so carefully planned. I would be interested to know if there is any surviving concept or storyboard art, or even production notes, just to see the true love for detail everyone in designing this production seemed to have. For a lot of early films, I have noticed the director would generally shoot from only a hand full of locations with little control over the light, exact camera angle, etc. Personally, "The Cabinet of Dr. Caligari" is a true masterpiece of artistic achievement not only because of the detail that was so carefully planned out and executed, but also for the clever and twisted story of a madman and his world.
ReplyDeleteThis movie wowed me.... what else can I say? The set, costumes, basically the whole visual design of the movie was amazingly unreal even though modern day influences have been mentioned. I admit, during the movie I was thinking some of the scenery looked like Nightmare Before Christmas.
ReplyDeleteI liked how each character in this film was cleary identifiable. Sometimes I have trouble with these old films distinguishing the individual people because they are all dressed the same and act the same and sometimes even look the same. In this film however, I had no trouble at all. In particular I liked the zig zags on the girl's dress. It just made her stand out and more memorable to me than other heriones of silent films.
Also the plot and theme were clearly more carefully executed and planned out. I thoroughly enjoyed the surprise ending. It wasn't open ended necesarily, but simply flipped upside down. I don't know. For some reason I just felt refreshed. Probably because I didn't see it coming. Had noooo clue!
Anyway I'm glad this was one of the films we are studying. Very interesting stuff.
Truly an amazing film, and it does my heart good to turn young people on to it. You haven't seen anything yet: Wait until we get to "Metropolis"!
ReplyDeleteI agree. Wait till Metropolis. I can't wait to see the extended version. AH GAH GAH GAH!!!! Eye candy for the soul. Thank you Fritz Lang.
ReplyDeletehttp://www.wbko.com/blogs/behindthegreenscreen/40377012.html
ReplyDeleteI know we are done with German Expressionism, but I ran across this while researching my paper and thought I'd share. ^_^
COOL! Thank you. Very cool.
ReplyDelete